{"id":278,"date":"2009-02-28T17:24:03","date_gmt":"2009-02-28T16:24:03","guid":{"rendered":"http:\/\/nathaliedesmet.fr\/?p=278"},"modified":"2009-02-28T17:24:03","modified_gmt":"2009-02-28T16:24:03","slug":"article-une-relation-esthetique-impossible-les-expositions-dans-lesquelles-il-ny-a-rien-a-voir-nouvelle-revue-desthetique-3-2009","status":"publish","type":"post","link":"https:\/\/nathaliedesmet.fr\/blog\/article-une-relation-esthetique-impossible-les-expositions-dans-lesquelles-il-ny-a-rien-a-voir-nouvelle-revue-desthetique-3-2009\/","title":{"rendered":"ARTICLE > Une relation esth\u00e9tique impossible, les expositions dans lesquelles il n’y a rien \u00e0 voir | Nouvelle revue d’esth\u00e9tique #3, 2009"},"content":{"rendered":"
\"Supershow<\/a>
Supershow \/ I was paid to go there.
Vue de l\u2019exposition \u00e0 la Kunsthalle Basel, Suisse.
Courtesy et photo : Superflex 2005<\/figcaption><\/figure>\n
\"Supershow<\/a>
Supershow \/ I was paid to go there.
Vue de l\u2019exposition \u00e0 la Kunsthalle Basel, Suisse.
Courtesy et photo : Superflex 2005<\/figcaption><\/figure>\n

Dans les pratiques actuelles de l\u2019art, il n\u2019est pas rare de visiter des expositions litt\u00e9ralement vides qui pr\u00e9sentent des \u0153uvres se d\u00e9tournant du visuel et du visible. Face \u00e0 ces invisibilit\u00e9s constitutives, il est parfois difficile de distinguer l\u2019\u0153uvre invisible de son exposition. Alors que certains artistes pr\u00e9voient les conditions de la r\u00e9ception, l\u2019institution n\u2019h\u00e9site pas \u00e0 jouer de la transparence de l\u2019\u0153uvre dans sa strat\u00e9gie de repr\u00e9sentation et de communication.<\/p>\n

In current art practices, it is not unusual to visit literally empty exhibitions which display works that turn away from the visual and the visible. Facing these constituent invisibilities, it is sometimes difficult to distinguish the invisible artwork from its exhibition. While some artists anticipate the conditions of reception, the institution does not hesitate to utilize the transparency of the artwork in its strategy of representation and communication..<\/p>\n

[wp-svg-icons icon=\u00a0\u00bbdownload-2″ wrap=\u00a0\u00bbi\u00a0\u00bb]\u00a0T<\/a>\u00e9l\u00e9charger l’article.<\/p>\n

Pour citer l’article : Desmet<\/span>\u00a0Nathalie, \u00ab\u00a0Une relation esth\u00e9tique impossible\u00a0: les expositions dans lesquelles il n’y a rien \u00e0 voir\u00a0\u00bb,\u00a0Nouvelle revue d\u2019esth\u00e9tique<\/em>\u00a01\/ 2009 (n\u00b0 3), p.\u00a085-92
\nURL :\u00a0www.cairn.info\/revue-nouvelle-revue-d-esthetique-2009-1-page-85.htm<\/a>.
\nDOI :\u00a010.3917\/nre.003.0083<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Dans les pratiques actuelles de l\u2019art, il n\u2019est pas rare de visiter des expositions litt\u00e9ralement vides qui pr\u00e9sentent des \u0153uvres se d\u00e9tournant du visuel et du visible. Face \u00e0 ces invisibilit\u00e9s constitutives, il est parfois difficile de distinguer l\u2019\u0153uvre invisible de son exposition. Alors que certains artistes pr\u00e9voient les conditions de la r\u00e9ception, l\u2019institution n\u2019h\u00e9site […]<\/p>\n","protected":false},"author":1,"featured_media":281,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/posts\/278"}],"collection":[{"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/comments?post=278"}],"version-history":[{"count":0,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/posts\/278\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/media\/281"}],"wp:attachment":[{"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/media?parent=278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/categories?post=278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/tags?post=278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}