{"id":204,"date":"2012-02-28T13:56:51","date_gmt":"2012-02-28T12:56:51","guid":{"rendered":"http:\/\/nathaliedesmet.fr\/?p=204"},"modified":"2012-02-28T13:56:51","modified_gmt":"2012-02-28T12:56:51","slug":"article-solo-snow-le-fresnoy-esse-73","status":"publish","type":"post","link":"https:\/\/nathaliedesmet.fr\/blog\/article-solo-snow-le-fresnoy-esse-73\/","title":{"rendered":"ARTICLE > \u00ab\u00a0Micha\u00ebl Snow : Solo Snow\u00a0\u00bb Le Fresnoy | esse #73"},"content":{"rendered":"<p style=\"text-align: justify;\">L\u2019exposition Solo Snow revient sur l\u2019\u0153uvre prot\u00e9iforme de Michael Snow en choisissant surtout des \u0153uvres produites pendant les vingt derni\u00e8res ann\u00e9es. Louise D\u00e9ry aborde l\u2019\u0153uvre de Snow au regard de la notion constructiviste de la faktura. Cette relecture permet de rendre visible une pr\u00e9occupation majeure de l\u2019artiste : l\u2019interrogation et la d\u00e9construction persistantes des conventions artistiques et des syst\u00e8mes de repr\u00e9sentation. La volont\u00e9 de montrer ce qui fait signe, \u00e0 c\u00f4t\u00e9 de ce qui est repr\u00e9sent\u00e9, donne toute sa complexit\u00e9 \u00e0 l\u2019\u0153uvre de Snow.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/esse.ca\/fr\/revue\/commerce\">Lire l&rsquo;article dans esse<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019exposition Solo Snow revient sur l\u2019\u0153uvre prot\u00e9iforme de Michael Snow en choisissant surtout des \u0153uvres produites pendant les vingt derni\u00e8res ann\u00e9es. Louise D\u00e9ry aborde l\u2019\u0153uvre de Snow au regard de la notion constructiviste de la faktura. Cette relecture permet de rendre visible une pr\u00e9occupation majeure de l\u2019artiste : l\u2019interrogation et la d\u00e9construction persistantes des conventions [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/posts\/204"}],"collection":[{"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/comments?post=204"}],"version-history":[{"count":0,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/posts\/204\/revisions"}],"wp:attachment":[{"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/media?parent=204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/categories?post=204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nathaliedesmet.fr\/blog\/wp-json\/wp\/v2\/tags?post=204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}